by C.J. Lazaretti | Dec 23, 2012 | Reviews
The droll theatricality of her live sets and her boisterous stage persona have made Meow Meow the leading artist in the international cabaret circuit. After an acting stint at Kneehigh Theatre’s West End production of The Umbrellas of Cherbourg last year, the...
by C.J. Lazaretti | Dec 21, 2012 | Reviews
If audience participation is the mainstay of the cabaret diet, then The Boy With Tape on His Face is a lavish feast of unpredictable entertainment. Relying on little more than backing tracks, props and a constant flow of volunteers onstage, the groundbreaking comic...
by C.J. Lazaretti | Dec 13, 2012 | Features
Preparing for his upcoming health and safety lecture, Preacher Muad’dib has researched the risk levels of most variety shows. C.J. Lazaretti talks to the sideshow maven about his grim findings, and what artists and venues can do to prevent dangerous accidents. Last...
by C.J. Lazaretti | Dec 11, 2012 | Reviews
The Cold War was never this hot. Canadian director Jonathan Joffe’s debut feature The Burlesque Assassins deploys pasties, parachutes and pastiche in a preposterous rollercoaster ride of action-packed espionage satire. With a select contingent of international...
by C.J. Lazaretti | Dec 10, 2012 | Features
What’s left on your checklist when you’re a singer, actress and international cabaret idol? C.J. Lazaretti talks to Meow Meow about her ambitious theatrical take on Hans Christian Andersen’s The Little Match Girl. Stages of a single kind are not enough for Meow Meow....
Recent Comments